When a playwright starts working on their play, they might not think about the format first. But once inspiration strikes, the structure of their script is what brings their vision to life on stage.

Drama Notebook has introduced a cost-effective way for drama teachers to access royalty-free scripts and lesson plans, offering a valuable resource for educators working with plays for kids, teens, ...

The muted reaction to the Edinburgh Fringe show “TERF” suggests that when activists engage with potentially inflammatory art, offense can quickly vanish. By Alex Marshall Reporting from Edinburgh ...

Purpose, a new play now on Broadway, has all the trappings of the classic family drama: A powerful and aging patriarch, wayward sons, a strategizing wife and a watchful outsider. It could be about ...

Performances in N.Y.C. Advertisement Supported by In “McNeal,” the playwright Ayad Akhtar explores the way artificial intelligence is disrupting the literary world and raising questions about ...

When John Hughes wrote “The Breakfast Club,” he had his eyes set on the stage — not the big screen. Adam Fields oversaw the production of the iconic 1985 flick and, 40 years later, shared some insight ...